特别是刘宝,捂着红肿的脸,不解地看着虎哥。虎哥明明是他叫来的人,最后却打了他,任凭他想破脑袋,也想不出个所以然来。Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...这包间之中虽说是仿古风🩼但是不像其他的古风之地一样透出了一股来自远古的幽寒✡️而是透露出了一股子清雅的味道2️⃣只是让人坐到里面就觉得束缚🛴🌱双重打击💩🤞巨大而又难以抵挡的力道瞬间打断了亚瑟正在释放的技能👨⚖️对他造成足以致命的伤害后还将他推出了近十米🏁不想了😵先去酒吧里面🕗找顾青冥问问他那个同学照片的事情🍪如果确定是合成的👩❤️💋👨那么就是说一切都是谢侯宸演的一场戏而已💩
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